"Vocally commanding"
- CLEVELAND CLASSICAL

Kyle Miller’s electric stage presence and resonant baritone voice has established him as a performer of unmatched charisma and dynamic range. A lyric baritone originally from San Francisco and based in Berlin, Kyle has received his master’s degree from The Juilliard School and bachelor's degree from Oberlin Conservatory. Kyle is a recipient of the Curt Engelhorn Scholarship through the Opera Foundation and has been in the Deutsche Oper Berlin ensemble since the 2022/23 season.

Last season, Kyle Miller made his Washington National Opera, Santa Fe Opera, and Deutsche Oper Berlin debut. In the 2023/24 season, he returned to Washington National Opera in the world premiere of Jeanine Tesori’s Grounded and will also make his debut at Opera Philadelphia in Madame Butterfly.

This Month

26 APR
Madame Butterfly
Opera Philadelphia
28 APR
Madame Butterfly
Opera Philadelphia

Recent Highlights

A graduate of The Juilliard School‘s graduate program, Mr. Miller recently returned to Washington National Opera as the juvenile Sensor Operator in the world premiere of Tesori’s Grounded. The piece is adapted from George Brant’s one-woman play and is commissioned by The Metropolitan Opera. Mr. Miller was a Vocal Fellow in the Ravinia Steans Music Institute, where he performed in a masterclass with Marin Alsop among other recitals with guests such as Graham Johnson and Kurt Elling. As a member of the ensemble at Deutsche Oper Berlin, Mr. Miller has been seen on stage as Marullo in Rigoletto, Moralès in Carmen, Masetto in Don Giovanni, Lucifer in Antikrist, Count Dominik in Arabella, Don Alvaro in Il viaggio a Reims, Ostasio in Francesca da Rimini, and The High Priest in Hérodiade where he was described as having a “youthful, strikingly beautiful voice.” Miller also played the role of Jim Larkens in La fanciulla del West with Cleveland Orchestra conducted by Franz Welser-Möst.

 

“What got me about this stunning young baritone was not his clarity (each Russian syllable so clear) or his splendid voice. But that he managed to actually present a Russian sound, a Slavic euphony to his voice. That, as much as the aphoristic melodies, made this such an
ENCHANTING EXPERIENCE”
CONCERTO NET